PT Journal
AU Cizinska, H
TI Two exhibitions of Beuronese art in Germany : Prague in the context of the Beuron Art SchoolPrag im Kontext der Beuroner Kunstschule : Zu den Ausstellungen der beuroner Kunst in Deutschland
SO Staleta Praha
PY 2017
BP 60
EP 93
VL 33
IS 1
DI 10.56112/sp.2017.1.03
WP https://staletapraha.cz/en/artkey/pha-201701-0003.php
DE Beuron art - Limburg an der Lahn - abbey of St. Hildegard in Eibingen - P. Paulus Krebs - St. Hildegard of Bingen - Rupertsberg monastery - Carl Friedrich Arnost Lowenstein-Wertheim-Rosenberg - St. Gabriel's Abbey in Prague - abbess Regintrudis Sauter - oblate Jan Sarkander Vrbik - Archabbey of St. Martin in Beuron - Beuron art school - br. Didacus Rait - br. Notger Becker - D. Thekla Koppel - D. Josepha Knips - P. Desiderius Lenz - D. Scholastika von Oer - P. Willibrord Verkade - Bretagne - Pont-Aven School - Paul Gauguin - Nabis group - Paul Serusier - Paul Ranson - Mogens Ballin - Fiesole - Maurice Denis - Gnadenkapelle in Beuron - Secession building in Wien - Josip Plecnik - Aichhalden - Munich - Carl Hornung - Hugo Troendle - Alexej Jawlensky - Salzstetten-Heiligenbronn - Dormitio Mariae convent on Sion in Jerusalem - Carmelite church in Wien-Dobling - Pierre Bonnard - Edouard Vuillard - Charles Filiger - Peter Behrens
SN 02316056
AB Two exhibitions, displaying Beuronese art, were held in 2016 in Germany at two sites, quite remote from each other. Both opened in the same week on the 13th and 17th April. The exhibition in Limburg an der Lahn concentrated mainly on the work of the Beuronese painter P. Paul Adolf Krebs, who was creating cardboards of wall paintings, designed furniture, paraments or preciosa for the near Benedictine Abbey of St. Hildegard in Eibingen, which is almost unknown to us. This complex in the Rhein region was founded from the Prague abbey of St. Gabriel at Smichov. The second exhibition in the cradle of Beuronese art on a slender Danube repeated the presentation of Jan Verkaden again, a pupil of Paul Gaugin and former member of the Prague Nabis group. After conversion this artist entered the Benedictine abbey in Beuron and worked there as P. Willibrord and a member of the Beuron art school. The range of the curators was wider this time and outlined the artists' mature work compared with the work of his colleagues. Both artists belonged to the team, which worked on the art decoration of St. Gabriel's church at Smichov in 1895-1899.
ER